RUA Conor Prize winner in 2002, Gary Devon was elected an associate member of RUA in 2006.

Born in Bangor in 1958, Gary has been painting professionally for twenty-five years, following his degree in Fine Art at Goldsmiths, London. As well as his personal work he has taken on various commissions including a painting of Kensington Palace for HRH The Prince of Wales and others for Dianna Rigg and Peter Alliss.

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At the age of 31 Jay Walker returned to college studying Art and Design. It was here that abstract expressionism was to have a major influence; Jackson Pollock being the main inspirational figure. Upon leaving college he moved to Dublin, found a studio in the Docklands area and carried on painting, developing his work and absorbing the surroundings.

Jay now works from a studio in Co Carlow, at the foot of Mount Leinster. His more recent work has moved further from abstraction toward a style of impressionism; recording the change and development which is sweeping the cities throughout Ireland and in contrast the subdued tranquility of coastal and country life.

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Jimmy Burns studied Art in London, Leeds and Dublin, lives in Sandyford and teaches in Ballinteer.

He is the author of "Art History and Appreciation" (two editions), and "Practical Art", both published by S & C S. Jimmy has illustrated many books and periodicals over the years, including Magill, In Dublin, U Magazine ... etc.

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Therese Mc Allister is an Irish artist who studied at the National College of Art and Design, Dublin from 1972-74. After NCAD, Therese worked as a fashion illustrator, and display artist in Dublin before deciding to move to Italy in the mid 1970's.

On her arrival in Florence, she met Pietro Annigoni (renowned for his portraits of the British Royal Family) who encouraged her to enroll at the Studio Simi. Here, under the tutelage of Nerina Simi, she studied the techniques of drawing and painting in the classical tradition.

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Richard Browne is from Kerry but is currently traveling in the U.S.

Artist statement: "I am enthused by organically driven abstracts. For me its all about openess. The art assumes its own shape and life. I tend to see the natural world in my pieces but try not to lead them too much."

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